English Chair Naomi Hamer publishes new digital e-book: Curating the Story Museum
The whimsical and wonderful world of children���s story museums is underresearched in the field of children���s literature and museum studies. Where young people have traditionally been conceived as interactive but non-critical participants in the design of museum spaces, professor Naomi Hamer, newly named chair of 91心頭利���s (91心頭利) English Department, explores youth participation in her co-authored e-book, . The e-book contributes to the ���broader project to interrogate and propose new critical approaches to children's museum sites across various educational contexts,��� says Hamer.
Dr. Seuss Museum, 2017. Springfield, Massachusetts. Photograph by Naomi Hamer, featured in Curating the Story Museum
A unique scholarly and accessible guide, Curating the Story Museum imagines and critically examines how young people can actively engage in museum exhibits as co-curators. The open-access and interactive format of the educational resource provides teachers, post-secondary, museum and early childhood educators access to emerging research. As approaches, bolstering the benefits of open-access and accessible research fosters important discussions around knowledge mobilization in the academic community and beyond.
Hamer and her co-researcher, , investigate ���how current children's museum exhibits focused on childhood texts and cultures present opportunities to negotiate, subvert, and/or reaffirm cultural discourses of childhood, nationalism, gender, race, sexuality, and ability.��� Their research, funded by the , analyzes the emergence of new technological and multimodal learning tools in museums as a generative potential for youth participation.
Exploring exhibits (and research) in digital space
As the pandemic shifted how individuals interact with each other and the world, Hamer and Murnaghan identified a need to adapt the format of their research. The current e-book compiles diverse research findings in an open-source authoring and publishing platform, Scalar, developed by the University of Southern California's Alliance for Networking Visual Culture. The ebook is hosted by York University library.
���91心頭利's emphasis on digital humanities���as an innovative field that may expand the field of English in terms of the content as well as collaborative digital modes���encourages new users to critically engage and contribute to broader projects,��� shared Hamer.
Recognizing the research of undergraduate and graduate students
The e-book extensively features undergraduate and graduate student contributions from 91心頭利���s English BA and Literatures of Modernity MA programs. Student researchers ventured into 91心頭利���s collaborated on digital educational models, and critically evaluated and proposed recommendations for newly imagined innovative exhibits���which now feature in the e-book���s .
���In many cases, our student collaborators presented distinct personal and critical perspectives to the material that apply critical approaches to decolonizing and queering the museum in their analyses.���
Quentin Stuckey, an English alumnus and former student who worked as an undergraduate research assistant on the project for multiple years, shared his experience contributing to the project. Stuckey���s research focused primarily on the genre of Urban Children���s Books and representations of childhood in Toronto; he also created content for the project���s YouTube channel, which served as a digital research repository during the pandemic.
���I learned a great deal from being a part of this project,��� said Stuckey. ���It inspired me to conduct my own independent research paper in my undergrad on representations of perfectionism in children's picture books, which Dr. Hamer supervised.��� Stuckey���s enhanced research skills led to his successful completion of an MA, and his continued interest in children���s books led him to spend two years teaching English in Spain.
���My experiences still influence my life professionally and personally and gave me a greater respect and appreciation for children's literature and the necessity for children's spaces.���
Imagining a future for transdisciplinary and transmedia research
Hamer imagines a future of both physical and digital exhibits that feature 91心頭利���s special collections. Hamer also foresees the potential for a second ebook resource containing ���tools for young curators and future critical children's museology projects that use more animation, audio and video resources to inform and inspire curatorial work with children���s texts.���
As a first critical step, Curating the Story Museum will offer research-informed insights to educators and curators, bolster the contributions of undergraduate and graduate students, and reimagine forms of scholarly research in new, accessible and interactive ways.
���As I take on the role of Department Chair, I think that this project illustrates the potential for collaborative and experiential projects within and outside classrooms in our English programs. I am passionate about the ways we can use digital tools in research and teaching, particularly as part of experiential learning, but it is equally important to cultivate safe and engaging in-person spaces for connecting with students, faculty and alumni.���
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